The style of stonework on the property varies widely, from rectangular, cut stone of the original cottage, to the pick-a-rock-that-fits stonework of the garage and house extensions, to the wildly pocked and twisting character of Hawk Tower, to the minimalistic work performed by Donnan Jeffers on the East Wing.
He was unable to finish this last project due to declining health, but his son Donnan managed to complete it. In 1937, Jeffers began work on an east wing that he intended to serve as a home for his sons, who were both in their 20s by then. After ceasing his stonework for a year or two, he then began work on a dining hall that would be completed in 1930. He completed these in 1920, and then began to work on a tower that would take him four years to complete. Soon after the cottage was complete, Jeffers himself would begin building a detached garage and a low, enclosing wall for a courtyard. Initially the house had one bedroom, a kitchen, a living room, a bathroom, and an attic. Murphy's stonemason began work on the house immediately and, with Jeffers signing on later as an apprentice, was able to complete the project by mid-August. Robinson Jeffers and his wife Una bought land at Carmel Point in Spring 1919, and in mid-May they contracted Mike Murphy, an established Carmel developer, to build them a stone cottage at Carmel Point. Jeffers' routine was to work on his poetry in the attic in the morning and to work on his building projects, such as Hawk Tower and expanding Tor House, in the afternoon. The Carmel area's influence in Robinson Jeffers' work becomes apparent in his poems such as his work "The Purse Seine", a poem about the local fishing industry. He described the land he chose as the site for the house as being like a "prow and plunging cutwater" of a ship. Jeffers named it Tor House after the type of ground on which the house was situated, a granite outcrop that might have been known as a "tor" in southwest England.
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